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Handel

Handel Gigue Siebente Suite in g moll - HWV 432

pental

1:52	Est. Play Time
21	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	2	5	4	93%
		19	2	2	3	76%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	2	5	4	93%
		19	2	2	3	76%

Handel Andante Siebente Suite in g moll - HWV 432

pental

3:48	Est. Play Time
33	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	1	7	6	100%
		21	0	5	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	1	7	6	100%
		21	0	5	4	100%

Suzuki Cello vol. 2 - 5. Chorus from "Judas Maccabeus"

Fmgpalomo

0:47	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello		11	0	2	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello		11	0	2	5	100%

HWV1A3N11 - Gönne nach den Thränengüssen mir

edward.maurath

1:31	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		17	35	6	5	100%
		15	2	3	5	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		17	35	6	5	100%
		15	2	3	5	100%
Bassoon Continuo		14	0	3	5	100%
Bass as Raymondo		17	0	5	8	75%
Oboe		8	0	2	3	71%

HWV1A2N23 - Ich kann nicht mehr verschuriegen

edward.maurath

1:26	Est. Play Time
23	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano as Almira		14	0	4	5	96%
Cembalo Continuo		14	24	3	4	83%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano as Almira		14	0	4	5	96%
Cembalo Continuo		14	24	3	4	83%
		14	1	3	3	78%
Viola		9	0	2	3	78%
Violin 1		8	0	1	3	78%
Violin 2		7	0	2	3	78%
Violoncello Continuo		12	0	3	3	78%
Bassoon Continuo		11	0	2	3	74%

HWV63A1N5 - "For Sion lamentations make" in f minor

edward.maurath

3:06	Est. Play Time
29	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		22	7	11	6	100%
		21	2	10	5	100%
View all 16 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		22	7	11	6	100%
		21	2	10	5	100%
Bassoon		19	0	6	8	100%
Bassoon Continuo		24	0	9	6	100%
Contrabassi Continuo		19	0	7	5	100%
Inferred Bassoon		23	0	7	6	100%
Viole		16	0	4	7	100%
Violini 1		20	0	8	6	100%
Violini 2		17	0	7	6	100%
Violoncelli Continuo		20	0	7	5	100%
Alti		10	0	4	7	83%
Soprani		14	0	5	7	83%
Bassi		16	0	5	7	79%
Tenori		12	0	4	7	76%
Oboe 1		12	0	3	7	72%
Oboe 2		15	0	6	7	72%

HWV1A2N30 - Sanerà la piaga un dì

edward.maurath

3:30	Est. Play Time
34	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		19	45	6	4	98%
		23	14	5	2	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		19	45	6	4	98%
		23	14	5	2	100%
Bassoon Continuo		22	0	5	2	98%
Soprano as Almira		15	0	3	6	87%

HWV58A2N17 - Jupiter, "Where 'er you walk" in B-Flat Major

edward.maurath

2:57	Est. Play Time
27	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo		19	54	6	6	100%
		22	6	6	3	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo		19	54	6	6	100%
		22	6	6	3	100%
Cello		20	0	5	3	100%
Kontrebaß		20	0	5	2	89%
Violas		18	0	4	4	85%
Vln 1		22	0	6	6	85%
Vln 2		20	0	6	3	85%
Tenor as Jupiter		12	0	3	7	78%

HWV61A1N4 - The fate of babylon, Belshazzar, Nitrocris, 1744

edward.maurath

1:18	Est. Play Time
23	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi		13	14	6	3	91%
		17	16	6	3	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi		13	14	6	3	91%
		17	16	6	3	100%
Cello		15	0	3	3	100%
NITOCRIS		13	0	4	5	65%
Daniel		11	0	3	3	35%

HWV5A3N6: Ah sommi Dei, cui la giustizia arruota (Esilena)

edward.maurath

2:16	Est. Play Time
34	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Contniuo)		12	0	4	3	100%
Harp (Continuo)		18	40	5	3	97%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Contniuo)		12	0	4	3	100%
Harp (Continuo)		18	40	5	3	97%
		17	20	5	4	83%
Esilena		15	0	6	6	97%

HWV8A1N3b - "Ah! Infelice mia patria" Accompagnato for soprano as Amarilli (November 1734)

edward.maurath

1:32	Est. Play Time
21	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		19	27	7	4	100%
		17	13	7	3	100%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		19	27	7	4	100%
		17	13	7	3	100%
Amarilli		14	0	5	3	100%
Contrabasses		11	0	4	3	100%
Violas		9	0	2	4	100%
Violins 1		12	0	4	3	100%
Violins 2		11	0	4	3	100%
Violoncello		11	0	4	3	100%
Violoncellos		11	0	4	3	100%

HWV8A1N4 - "Son di Mirtillo!" recitativo secco

edward.maurath

1:47	Est. Play Time
28	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B.c.		12	0	4	4	100%
Amarilli		14	0	4	5	68%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B.c.		12	0	4	4	100%
Amarilli		14	0	4	5	68%
Mirtillo		10	0	3	3	50%
Hpsi		14	17	4	2	46%
		9	5	2	4	46%
Harp		14	12	4	1	43%
		12	10	3	2	43%
Theorbo		12	6	5	2	21%
Lute		13	10	4	3	18%

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